Journal of Visual Culture

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About Journal of Visual Culture

Journal of Visual Culture is an international refereed journal that welcomes compelling, critically engaged contributions that explore and expand trans-disciplinary global visual cultures."The Journal of Visual Culture is indispensable." Professor Christine Ross, Department of Art History and Communication Studies, McGill University"There is an unmistakable seriousness as well as a handsome hospitality in the range of method, topic and topography on show." Times Higher Education Supplement "The Journal of Visual Culture continues to be a critical resource for scholars looking for intelligent analyses of the visual arts, popular culture, media, curatorial practice and digital platforms." Professor Jennifer A Gonzalez, University of California, Santa Cruz"The Journal of Visual Culture is the place to look for cutting-edge research on the theory, practice, and circulation of visual culture today." Dr Nicole Starosielski, Department of Media, Culture, and Communication, New York University "The Journal of Visual Culture is a generous and inventive site of intellectual possibility where authors and guest editors can reconfigure how the visual and cultural come together, allowing for intellectual challenges to be made – critically and imaginatively – to current disciplinary protocols." Professor Jane Rendell, The Bartlett School of Architecture, UCLRecent themed issues include:Armed/Unarmed: Guns in American Visual and Material Culture (2018), guest edited by Faye Gleisser and Delia Solomons, with contributors including Patrice D. Douglass, Michelle Millar Fisher, Colette Galter, Brian Hatton, Lindsay Livingston, and a roundtable with Attequa Ali, Jonathan Ferrara, Kathy O’Dell, and Susanne Slavick.Affect at the Limits of Photography (2018), guest edited by Lisa Cartwright and Elizabeth Wolfson, with contributors including Ariella Azoulay, Lisa E. Bloom, Matthew Brower, Thy Phu and Elspeth H Brown, Kelli Moore, and Shaw Michelle Smith.50 Years of Art and Objecthood: Traces, Impact, Critique (2017), edited by Alison Green and Joanne Morra, with contributors Alison Green, Stephen Melville, Joanne Morra, Daniel Rubinstein, Margarita Tupitsyn, Victor Tupitsyn, Phoebe von Held, Duncan White.Architecture! (2016), edited by Jae Emerling and Ronna Gardner, with contributors Eric Aliez, Alfredo Brillembourg, Sarah Deyong, Alexi Kalagas, Hubert Klumpner, Robin Mackay, Lina Malfona, Gioancarlo Mazzanti, Robert McCarter, Donald Preziosi, Jane Rendell, Martino Stierli, Michael Waldrep.Visual Activism (2016), edited by Julia Bryan-Wilson, Jennifer González and Dominic Willsdon, with contributors Ariella Azoulay, Macarena Gómez-Barris, Deena Chalabi, Electronic Disturbance Theater 2.0, Miguel A López, Amin Husain, Nicholas Mirzoeff, Nitasha Dhillon, A Joan Saab, Tina Takemoto, Avram Finkelstein, Aaron Gach, Cheyanne Epps, Kyle Lane-McKinley, Elisa Adami, TJ Demos, Amy Lyford, Carlos Motta, Trinh T Minh-ha, Srinivas Aditya Mopidevi, Jerome Reyes, Nine Yamamoto-Masson, Teddy Cruz, Favianna Rodriguez, Zanele Muholi, Selaelo Mannya, Valerie Thomas, Shannon Jackson.Recent and forthcoming contributions to Journal of Visual Culture include:Jill Casid (UWM) on being undoneGeorges Didi-Huberman (Paris) on the album of imagesTom Holert (Berlin) on immersionTung-Hui Hu (Michigan) on reticenceEsther Leslie (Birkbeck) on atmosphereRahul Mukherjee (UPenn) on ecologies of ruinationMIT’s Lisa Parks (interview by Asbjørn Grønstad and Øyvind Vågnes) on global media technologiesNicole Starosielski (NYU) on thermal visionMagda Szczesniak and Lukasz Zaremba (Warsaw) on paranoid looking Linda Williams (Berkley) on lust, motion and e-motion Beirut-based artist Akram Zaatari (interviewed by Elisa Adami) on history, photography, and the archiveForthcoming themed issues for 2020 and beyond include:Robot Vision, guest edited by Luci Eldridge (Winchester School of Art) and Nina Trivedi (Royal College of Art), with contributors including Jeremiah Ambrose, Brian Black, Stephen Ellis, Nea Ehrlich, Joey Holder, Gregory Minissale, Maya Oppenheimer, Nicola Plant, and Bianca Westermann.Trans, Art, and Visual Culture, guest edited by Cyle Metzger (Stanford) and Kirstin Ringelberg (Elon University), with contributors including KJ Cerankowski, Kara Carmack, Sascha Crasnow, Sebastian De Line, Robb Hernandez, Heather Holmes, Ace Lehner, KJ Rawson and Nikki Tantum, Cole Rizki, Gregory Stamatina, Chris Straayer, Susan Stryker, Elisa Steinbock, and Frial Zachary.VR: Immersion and Empathy, guest edited by Brooke Belisle (Stony Brook University) and Paul Roquet (MIT).

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Publisher Profile - SAGE Publications

Founded in 1981, SAGE Publications India Pvt Ltd is a leading independent, academic and professional publisher of innovative, high-quality content. Globally, SAGE Publications came into being in 1965 and is the world's leading independent academic and professional publisher. Believing passionately that engaged scholarship lies at the heart of any healthy society and that education is intrinsically valuable, SAGE aims to be the world’s leading independent academic and professional publisher. This means playing a creative role in society by disseminating teaching and research on a global scale, the cornerstones of which are good, long-term relationships, a focus on our markets, and an ability to combine quality and innovation.